Laura (1944)
Special thanks to Sarah Sugas for commissioning 1944’s Laura, a film-noir set around a hard boiled detective attempting to solve the mystery other murder of a remarkable young woman.
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Bald Move Prestige is where the best of the best come to shine. In the Prestige podcast, we talk about serious dramas, excellence in filmmaking, and everything in between; on television or on the big screen. Prestige doesn’t cover sci-fi, but if that is your thing, you might be looking for Bald Move Pulp.
Special thanks to Sarah Sugas for commissioning 1944’s Laura, a film-noir set around a hard boiled detective attempting to solve the mystery other murder of a remarkable young woman.
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Mandy is a film by Panos Cosmatos starring Nick Cage. It is both a slow burn, 70’s style horror film dipped in acid, and a gonzo Nick Cage action film. It continually suffers from being torn in these two very different directions. A.Ron dug it, Jim wants nothing to do with it. This film boasts near universal acclaim on Rotten Tomatoes and yet is a tough one to wholeheartedly recommend. Please enjoy our spoiler free review and discussion of new trailers and upcoming films, but if you want to hear Jim and I argue about Mandy’s merits, you’ll have to be a Club Member!
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Special thanks to commissioner Jaimie T. for having us check out the classic 1946 British film classic, “A Matter of Life and Death”. Featuring a story that pits love against the cosmic law of death, it explores post World War 2 tensions between the England and the Unites States. Both of us see the film’s obvious charm; lavish and colorful visuals, inventive special effects and set design, and appealing lead actors. We also have a few third act quibbles and thematic issues, but not enough to sink the film that’s been called the “British It’s a Wonderful Life”.
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Special thanks to our commissioner for today’s podcast, Sean Ray. You may recognize him as the man behind such classics as It Follows, and Black Rain, which if nothing else is unique. Today he selects the great A Few Good Men, where a gruff Colonel in the US Marine Corps takes issue with the USMC’s kinder, more gentler ways of discipline and organization, leading to the death of one of the men under his command. Tom Cruise and Demi Moore are effective as the counsel for the defense, and are given a lot of juicy material to work with. Written by Aaron Sorkin and directed by Rob Reiner, the script is packed with Sorkinisms and shot with a steady, confident eye. The performances are phenomenal, especially Jack Nicholson’s elemental performance of Col. Jessup.
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Spike Lee has thrown a very well made, very funny, and very devastating bomb into American movie theaters with his latest joint, BlacKkKlansman. To mark the occasion, we’re not keeping our full review and discussion as a Club Member. Anyone who wants to hear this can. Will White America listen to the message we so desperately need to hear, or hit “snooze” and go back to sleep. What are we going to do about the resurfacing of explicit racism in our country, that has until recent years been hiding beneath the still waters of institutional racism? What will you do with friends and family who bemoan Black Lives Matter, or offer the limp rebuttal that “both sides are bad?” As the movie asks, if not now, when, and if not you, who?
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Cecily and A.Ron have seen the sequel to one of their favorite movies, Mamma Mia 2: Here We Go Again, and we think if you’re a fan of the original, there is a lot for you to like here. It’s too damn bad the trailers spoiled a reveal that would have otherwise brought the house down, and the first half of the movie might have you worried a little bit. But by the time you hit the half way mark you’re going to laugh and cry so much who even cares what happened in the first act! There are tons of surprises and twists and crowd pleasing moment, the cast is having way too much fun, the big musical numbers are bright and colorful and kinetic… I could go on and on, but the bottom line is we left the movie with a big smile on our faces and red rims around our eyes content. Can’t wait for the Blu-Ray to come out so I can watch it a dozen more times.
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Thanks to Paul Kilgore, who commissioned this podcast for his wife Alexandra in honor of her favorite movie, the 2005 adaptation of Jane Austin’s Pride & Prejudice. I’ve never seen this particular version but am familiar with the source and other adaptations and like historical fiction in general, while Jim had no idea what to expect. What will we make of some early 19th century high romance? Is it physically possible for Keira Knightley to play a plain Jane, err, Elizabeth? What does culturally enforced manogamy look like in practice? How did English noblemen acquire such impressive art from the antiquities? Were 30 foot high water fountains even possible in the 1800s? All this and more is pondered!
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A.Ron and Cecily are back to take in Ocean’s 8, where Sandra Bullock and Cate Blanchett head up a team of shady ladies as they aim to steal six pounds of diamonds off the neck of Anne Hathaway while she attends the annual Met Gala. The movie, directed by Gary Ross, looks great, is a lot of fun, but doesn’t really cover much new ground or stray outside the Ocean’s lane that’s been well established. Still, everyone is having a lot of fun, there are a lot of cool cameos, New York looks gorgeous, the series trademark swanky soundtrack is intact, and the third act impresses enough to have us interested in an Ocean’s 9.
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Special thanks to Ajas, who commissioned a very special project; our first commissioned Live Watch! If you don’t know, a Live Watch is where we watch a show and record commentary for it, which you can sync up to watch with us at home with your own personal copy. And this movie is one of the craziest, over the top action films of all time. A John Woo picture, starring Chow Yun-fat, it features a hard-boiled detective desperate to put an end to the violent gang of gun runners who murdered his partner. Boasting an improbably number of bird and bullets, and featuring stunts that are just slightly less lethal than filming actual gunplay, the plot makes no sense but the gonzo nature of the film more than makes up for it. You thought Jason Statham’s baby routine in Fate of the Furious was crazy? You haven’t seen nothing!
Read MoreJim and I went to see the new horror/suspense film, A Quiet Place, directed by and starring John Krasinski, who is joined by his co-star Emily Blunt. Both are extremely effective at wringing genuine fear and emotion from the audience as they interact with a cast of really talented young actors. There are problems we have with the film, some of them big ones, but the bottom line is the movie offers a very unique theater experience, it’s extremely tense and scary, and the parts that have to work really work well.
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