Bald Move Prestige is where the best of the best come to shine. In the Prestige podcast, we talk about serious dramas, excellence in filmmaking, and everything in between; on television or on the big screen. Prestige doesn’t cover sci-fi, but if that is your thing, you might be looking for Bald Move Pulp.
The American Dream has always been just that, a dream. Death of a Salesman (1985) is based off of the 1949 Arthur Miller play of the same name. This adaptation features powerful performances from Dustin Hoffman and a young John Malkovich. It’s thoroughly depressing, but magnificent to watch. Have something funny in your queue for viewing after.
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Give yourselves a hand! Jim and A.Ron reflect on the marathon, the fun, the comradery, and the goo of it all! Thanks to listeners and viewers like you, Bald Move not only met their donation goal, they surpassed it! And Connor Swan from the CureAlz stops by to chat and accept the donation.
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Akira Kurosawa’s somber film, Ikiru, ponders the meaning of life and death. A businessman with terminal cancer navigates his way through bureaucracy and family dynamics while trying to figure out the best way to use his remaining time. This is a film to return to every so often as it will take on different meaning for you in different points of your life.
Thank you Michael for commissioning this podcast!
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Napoleon is a movie that can’t decide on which story it wants to tell. The storyline of the steamy romance between Napoleon and his Empress Josephine bucks against the scenes of war. The visuals are gorgeous, the story is muddy. What is Ridley Scott trying to tell us, if anything, about this cantankerous emperor?
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The Holdovers is a delightful movie with emotional depths that isn’t seen often in recent cinema. Alexander Payne has crafted a heartfelt movie about a group of boys left at boarding school over Christmas break. Paul Giamatti stars as the curmudgeon tasked with watching them. The film explores the depths of joy, despair, and hilarity. It’s been called an “instant Christmas classic”, and Jim and A.Ron agree.
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Martin McDonagh, director of Banshees of Inisherin, made his directorial feature debut with this dark comedy. Between the uneasy laughter, watch-between-your-fingers moments, and Catholic guilt, there’s a lot to unpack. Brendan Gleeson and Colin Ferrall play two hit men on a mysterious and fateful trip in Bruges. And it’s a Christmas movie. A miserable, vulgar Christmas movie.
Thank you Michael for commissioning this podcast!
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ngster tales. Set in 1920s Oklahoma, Killers of the Flower Moon depicts the injustices suffered by the indigenous poeples of America through the lens of one family’s maniacal and murderous attempts to steal their rights to oil found on their land.
It’s incredibly well acted and is at times gorgeous to look at, even though its action might unsettle you at times. So… it’s a Scorsese movie. You probably already know if you’ll like this one, but if not, there are a lot worse ways to spend an evening.
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Jim and A.Ron are diving into one of Martin Scorsese’s earliest films; Mean Streets. It was the Pulp Fiction of its day, it paved the way in pop music soundtracks, and was the foundation of Scorsese’s signature style. A young Robert De Niro stars as a loose cannon getting mixed up in all the wrong kinds of trouble. Get your fix of behind the scenes trivia in this anniversary episode of Bald Move Prestige.
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Get ready for great dialogue, sudden bouts of grayscale, and lots and lots of blood. The Bride’s revenge-rampage is just as epic 20 years later. Jim and A.Ron discuss not only their experiences with the film, but also have behind the scenes stories for the movie nerd inside of you. Keep your shoes securely on and dive into the most Tarentino-y movie to ever exist.
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This atypical romcom is the story of two broken people helping each other. Jennifer Lawrence and Bradley Cooper play characters in the throes of their mental illnesses. David O. Russell adapted and directed this project, and JLaw won her first Oscar playing Tiffany. With such a high pedigree in cast and director, it’s no surprise that this film delivers on every front. And yes, it is a Christmas film.
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