Bald Move Prestige is where the best of the best come to shine. In the Prestige podcast, we talk about serious dramas, excellence in filmmaking, and everything in between; on television or on the big screen. Prestige doesn’t cover sci-fi, but if that is your thing, you might be looking for Bald Move Pulp.
The last course is served on this season of The Bear. This character study was an exquisite sweet and salty combo that encapsulated the nuances of being a flawed human being. Between the laughs and heartbreak, there’s a smorgasbord of colorful characters you don’t want to miss.
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It’s a chaotic family reunion to rival all chaotic family reunions. Between the enablers, pacifiers, and people who just can’t be normal, you might have flashbacks to that one traumatic Thanksgiving years ago. And when it becomes too much to bear (ha), the show will give you a break. Put your phone down for this watch, you’ll get so much more.
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This is a special edition episode for your Bald Move Prestige feed. Jim and A.Ron love the flavor of The Bear, and want to dish on all the best parts. It’s a dry comedy about a bunch of dysfunctional people trying to open a restaurant. It examines joy, existential dread, and obsession in a setting that is literally falling to pieces. Grab a plate as Jim and A.Ron serve up some hot takes on an even hotter show.
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It’s a movie that is so Wes Anderson, you’ll be bathing in pastel colors and meta dialogue for the full 1 hour and 44 minute run. This movie will ask, but never answer, a handful of questions. Is this movie profound? Is the audience meant to understand it? What is that on Jason Schwartzman’s forehead?
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This movie poses the question, “How do we feel about vigilante justice?” Carl Lee Hailey, played by Samuel L. Jackson, faces trial for taking revenge on the men who brutalized his young daughter. The movie treads multiple fine lines about race, justice, and hatred in America. Matthew McConaughey, Sandra Bullock, and Donald Sutherland round out the cast in this time capsule of Hollywood’s take on justice in 1996. Does it still work?
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Take a step back in time to late 80s cinema where hope abounds, it’s a bit schmaltzy, and the sensibilities don’t always hold up. Peter Weir directs a bombastic Robin Williams as Mr. Keating, an eccentric English teacher at a private school. Keating inspires his students to Carpe Diem, push back against authority, and explore the arts. Listen in to Jim and A.Ron as they examine their own experience with the film. And find out who almost got cast as Mr. Keating!
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Fifty years ago, Paul Newman and Robert Redford reunited for The Sting! Redford plays a small-time grifter, but there’s nothing small-time about this movie. Newman and Redford orchestrate a con on cantankerous crime boss, Doyle Lonnegan, played by Robert Shaw. This story will show you a good time and pull the rug out from under your feet. Still not convinced to give it a shot? This movie won 7 Oscars! How about that?
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Steve McQueen plays Jake Holman, an engineer on the gunboat USS San Pablo. The year is 1927 and the ship is stationed in China. The geopolitical landscape of the country is nearly unrecognizable compared to today. It’s worth considering what this movie is trying to say about nationalism, colonialism, and racism. All the hot-button “isms”! As you can guess, there are parts of this film that definitely did not age well. Come experience McQueen in yet another rebellious role.
Thank you to Mark for commissioning this podcast!
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On the 10th anniversary of his passing, get to know one of the most influential film critics; Roger Ebert. He was a man who lived loudly, critiqued freely, and loved movies unflinchingly. From a young film critic prodigy to an older man in failing health, Jim and A.Ron recount the journey of Ebert’s life and his impact on their own lives.
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Martin Scorsese, one of the most influential living directors, guides Robert DeNiro through a creepy performance. Even though these two are reliable artists of the silver screen, this movie is a miss. It’s a vaguely Hitchcockian movie with a whole list of “wtf?” moments. Who is this movie made for? Not sure. Who is A.Ron’s ‘Nick Nolte’ impression for? Everyone.
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